Review
With journalistic flair, The Years That Matter Most brilliantly shows how, in terms of college opportunities, the scales of justice tilt in favor of the wealthy.
Unhinged is one of the most violent films I’ve seen in recent memory where there is no excessive gun play. But who needs bullets when you are driving a two ton projectile powered by an endless, roiling fount of rage?
Peter L’Official has written an important book that speaks with powerful relevance to the state of Black life in America today — and the demands of Black Lives Matter.
In Henri Cole’s best poems, the outside and the inside interpenetrate and merge.
I’m Thinking of Ending Things is a bit of a wonder, a careful nightmare that demands rapt attention even if repeated viewings do little to assuage its eeriness.
The cinema verite masterpiece is among the first non-fiction theatrical features to chronicle “regular” people going about their everyday lives.
The Mortuary Collection is a dark diamond in the rough of this year’s Fantasia so far, a canny ode to horror history that pays respect to its elders without appearing dated or derivative.
Percussionist Syd Smart is a Boston treasure to whom we will soon have to say farewell. But his talent, spirit, and energy will remain with those fortunate enough to see him play.
As we grapple with building the brave new world of live theater in a Covid and post-Covid world, a few stray thoughts.
Book Feature: Children of the Revolution — An Interview with Lawrence Roberts about Mayday 1971
“One lesson is that when a country feels like it’s really gone off on the wrong track, a social movement that finds a way to express that dissent in the streets can really make a difference.”
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