Review

Book Review: “Buy Me Boston, Volume 2” — Celebration of Advertisements Past

December 16, 2020
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Flipping through this volume will help readers understand just how much the internet and consumer technology has changed the world of arts and culture.

Poetry Review: “Field Music” — Lyrical Visions of Hardscrabble Vermont

December 16, 2020
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The voice in Field Music is disciplined, its cagey earthiness unfailingly engaging our attention.

Classical CD Reviews: “Babel,” Sarah Kirkland Snider’s “Mass for the Endangered,” and John Luther Adams’ “Become Trilogy”

December 16, 2020
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Calidore String Quartet’s Babel is one of the year’s best albums; Sarah Kirkland Snider’s Mass for the Endangered offers an unsettling and beautifully direct rethinking of the traditional Roman liturgy; for John Luther Adams fans – and the Adams-curious – Become Trilogy is a must.

Classical CD Reviews: Russia’s Silver Age, “Amici e Rivali,” and Jonathan Leshnoff’s Symphony no. 3

December 14, 2020
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Daniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.

Television: “Alabama Snake” — The Wild Wiles of the Serpent

December 14, 2020
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Alabama Snake is crazy, but it also provides the kind of off-kilter insights into humanity one finds in the best of Southern folklore

Classical CD Reviews: Beethoven Chamber Music, Part 2 – James Ehnes plays Violin Sonatas, Quatuor Ébene’s “Beethoven Around the World,” Lugansky Performs the Late Piano Sonatas

December 12, 2020
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Violinist James Ehnes and pianist Andrew Armstrong’s Beethoven violin sonatas feel and sound absolutely right; Quatuor Ébène’s comes up with one of this anniversary year’s few, true benchmark releases; Nikolai Lugansky’s traversal of three of Beethoven’s late piano sonatas is often admirable.

Film Review: “Never Too Late: The Doc Severinsen Story” — The Life of a Jazz Phenomenon

December 12, 2020
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Trumpeter Doc Severinsen had the right combination of talent and showmanship to reach and stay in the spotlight, and he adjusted the pieces of his life to maintain his singular place.

Classical CD Reviews: Uri Caine’s “The Passion of Octavius Catto,” Bernard Hoffer Chamber Music, and Igor Levit’s “Encounter”

December 11, 2020
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Uri Caine’s score about the life and murder of a 19th-century civil rights icon is direct and potent; touching documentation of Richard Pittman’s advocacy for the inventive composer Bernard Hoffer and a demonstration of the sheer musical excellence of Boston Musica Viva; Igor Levit’s keyboard playing is dynamic, precisely articulated, vividly felt, and beautifully voiced.

Television/Theater Review: “Ma Rainey’s Black Bottom” — Listening to the Lessons of the Blues

December 10, 2020
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Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.

Film Review: Last Call for Lost Souls — “Bloody Nose, Empty Pockets”

December 10, 2020
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This innovative “documentary” is a major accomplishment: it merits a much broader viewing than it is likely to attract (this one has “sleeper” and “cult classic” written all over it).

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