Review
Sundance’s strengths for me this year (as in the past) were the festival’s documentaries.
Crime Scene: The Vanishing at the Cecil Hotel makes for a gripping watch, one of Netflix’s finest true crime documentary series.
Few writers can generate as much tension in so few pages as Pamela Painter.
Art and Faith should be widely read — its delightful wisdom and clarity underlines our culture’s desperate need to make things new.
There are some smartly colored and well-handled performances here, but it’s hard to get past the recording’s unsatisfactory acoustics.
I Blame Society may put off some enlightened neoliberals, but it is a fun little B-movie with killer insight and attitude to spare.
The excitement of these films – perhaps the word frisson would not be amiss – is that these women are envisioned as explorers in the land of Eros, map-makers of new terrain, discovering and inventing love as they go.
What a pleasure it is to revel in this work, which expresses enduring values in such an original way.
Full Dissidence is not just about the corruption of professional sports. It is a fierce polemic that will alter the way you look at America.
What we need is to see the world through the eyes of Black activists, even though that might be frightening to White audiences reluctant to deal with the unmediated truth.
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