Review
Penny, whose many moods are sensitively drawn in this softly colored volume, is, perhaps like all cats, a philosopher.
Chronicling Stankonia is an engaging read, one that adroitly balances rigorous academic research with a deeply personal narrative about Black life and art in the post-Civil Rights Era in the South.
Though it’s classified as a comedy, Shiva Baby utilizes many of the stylistic trademarks found throughout the horror genre to merge painfully humorous discomfort with suffocatingly atmospheric terror.
In the process of exploring the ideas that shaped Lorraine Hansberry’s understanding of her art and the world, the volume confirms the writer’s relevance during these troubled but potentially transformative times.
This Is a Robbery is the most complete and compelling narrative yet about the looting of the Isabella Stewart Gardner Museum.
Free from the stress of leading a major-label band on the road, Mark Sandman could always return home to Hypnosonics, an alternate vehicle for his elastic vision.
You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
The current rage for inserting the personal/confessional in everything from cookbooks to literary criticism can go too far.
The 51-minute piece represents a digital time capsule. It comprises 16 short episodes — reflections in movement of lives caught inside the pandemic — crafted by dance-maker collaborators.
Director Jess Chayes has done all that is humanly possible to stage a lively live production under Zoom constraints.
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