Review
There’s a contrast here, an understandable impatience with current events placed alongside belief in MLK’s vision of the long arc of the moral universe. Neither cancels the other.
The orchestra’s summer home is operating at reduced capacity this season, but it’s wonderful to have the BSO and its public reunited.
This is a lyrical work: gracefully exaggerating reality is a merit that good poetry and fantasy share.
On this disc, trumpeter, singer, and composer Sarah Wilson serves up music that is warm, a little funny at times, and very well played in an unassuming manner.
Zola is an exhilaratingly salacious odyssey through the neon-lit strip clubs, dingy motels, and gaudy underbelly of America’s chaos state, like Showgirls as told by Zora Neale Hurston.
William Parker, the 69-year-old composer, multi-instrumentalist, author, and all-around presence on the progressive jazz scene churns out challenging music with prolific abandon.
The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
Violinist Randall Goosby’s Roots tells a singular story, one that grows and deepens on repeated listening.
Schmigadoon! is both an enjoyable love letter to classic Broadway musicals and a good-natured spoof of their now antique conventions.
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