Review
After premiering at the New York Film Festival in 1979, this powerful documentary about one of the most dramatic periods in American labor history has been newly restored.
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When There Are No Words presents six pieces written between 1936 and 1980 by composers responding (at least seemingly) to contemporaneous political events and situations.
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What lifts Resurrection above the standard victim-becomes-avenger routine is a preposterous — in a wonderfully sick way — claim that gives the movie a welcome touch of giallo unpredictability.
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Continuous Creation is a deceptively slight book from an incontrovertibly substantial poet.
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Opalescent’s overriding aspect is celebratory – but from a variety of angles.
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Three looks at love that may help generate some interesting conversations about what love means in the lives of children.
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Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.
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The Survivor examines what happens to someone who made the decision to survive in Auschwitz — no matter how.
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The Northman is grounded in a manically precise capture of the Nordic world of the 9th century AD, but refracted through the lens of a whacked-out visionary in a spew of eye-popping images.
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The emphasis isn’t on gratuitous sensuality: Gentleman Jack’s throes of passion are designed to reveal more about the psychological makeup of its characters.
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Arts Feature: Best Movies (With Some Disappointments) of 2025