Review
The cumulative effect over the course of Jhumpa Lahiri’s book sharpens our view of what the imperfect art of translation can, in fact, do.
The clamor to do justice to 1972 did not cease, so here are salutes to four additional films, The Getaway, Last House on the Left, The Discreet Charm of the Bourgeoisie, and What’s Up Doc?.
Author and journalist Massoud Hayoun’s novel Building 46 probes behind the air-brushed image of China’s capital city to offer a fascinating (and incisive) look into the everyday lives of Beijing dwellers.
We’ve got ourselves another winner in this ongoing Pittsburgh/Beethoven series. Warmly recommended.
This is a quicksilver drama about how a loving couple reacts as devastating bolts of lightning strike.
If you find David Cronenberg’s cinematic philosophy on bodily abjection/assimilation and the artistic process intellectually stimulating, then you’re in for an intoxicating return to form from the man whose name is synonymous with the body horror genre.
Winner of seven Cesars, this mordant portrait of the corrupt Parisian press mid 19th century, along with the commodification of just about everything, speaks loudly to the internet era.
This exhibition is impressive in drawing connections between material goods and labor, creating beauty out of unconventional forms.
Jurassic World: Dominion feels like Universal pureed every spec script for a Jurassic Park sequel ever sent to it by first-year film students. It’s narrative slurry. Like the pink slime used as filler in cheap burgers.
Daniel Raim’s Fiddler’s Journey to The Big Screen is a terrific documentary about the creation of the titular film.
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