Review
Love on the Spectrum U.S. generates the same joy as its Aussie version: all of the singletons are enormously likable.
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With gentle humor and insight, Lea Ypi draws rich portraits of the three caring adults she grew up with in the authoritarian world of her childhood in Albania.
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Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that this is no longer news.
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Panah Panahi’s film is a powerful ode to the will to escape a restrictive society — and to tell stories.
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I am not sure where the track titles come from, but I am guessing the problems the band had getting together under Covid must have something to do with them.
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Ivory is at its best when Omar Apollo fully commits to taking adventures into different sonic spaces.
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Like the films of the 2000s, Senior Year is filled with chuckles but eschews substance.
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Nazareno is bright, often joyous, and easy on the ears. That ought to count for something.
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Violinist Lea Birringer’s performance of the Christian Sinding selections are impressive. Her Mendelssohn Violin Concerto, though, is missing drive, excitement, and passion.
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Personable but bracing, Sea Sick delivers an essential message: not only about the damage that is being done to the oceans, but the horrors that are coming down the pike.
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Arts Feature: Best Movies (With Some Disappointments) of 2025