Review
The Most Hated Man on the Internet tells a legitimate story in which the good guys win, but there is no attempt to answer to any of the larger, uncomfortable, social questions the series raises.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Kirsty Bell’s psychological-cultural-topographical-historical walking tour of Berlin is an idiosyncratic delight.
Abbas Kiarostami was the most important filmmaker to come out of the New Iranian Cinema movement, which spawned works that became staples in film festivals worldwide from the late ’80s on.
A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
Inevitably, by recasting Petra von Kant as a version of Rainer Werner Fassbinder himself, François Ozon has rendered the film self-consciously cinematic.
In World Wide Pop, the London pop collective looks for peace in the digital cosmos, despite intimations of coming oblivion.
Faleeha Hassan’s assessment of the damage America caused — through the ‘good intentions’ of regime change — may surprise many who depended on the mainstream media to learn about what happened in Iraq.
Neither book is primarily directly about the war itself. Rather, in sometimes oblique ways, they show the price paid by Ukraine’s non-combatant civilians.
This version of Beach Road Weekend marked a huge step to the event joining Newport Folk and Solid Sound among New England’s marquee mid-size festivals.
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