Review
The music in these recordings only represent only a moment in pianist Ahmad Jamal’s long career, but it’s enough to demonstrate the singularity and importance of his work.
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The Menu serves up a ghoulish and madly entertaining two hours of prime cinema.
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The triple-threat, multi-genre members of the newly formed vocal trio Sonica are creating inspiring and engaging music across multiple musical boundaries.
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With gorgeous, vivid stop-motion animation overseen by co-director Mark Gustafson, this inspired collaborative effort carves its own lane among the many adaptations of the oft-told story.
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She Said’s straightforward narrative avoids self-indulgent fanfare and invites viewers to appreciate journalism as a hunt for the truth that, in this case, inspired a cultural earthquake when the #MeToo movement rose up in its wake.
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“It’s easy to see why we have such a lousy life and such great literature.”
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Conductor René Jacobs restores missing bits of this beloved opera’s story, and Ukrainian soprano Kateryna Kasper glows as Ännchen.
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The People We Hate at the Wedding is far from one of the best entries in the comic wedding canon.
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The music of Cameron Lew, in the persona of Ginger Root, makes us confront a fundamental truth: the familiar, after the passage of time, becomes the exotic
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Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
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