Review
A prize-winning revival of a politically rambunctious, often-entertaining opera from ’60s East Germany
The greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
These young musicians clearly embrace their roots, but there is no denying that this is a forward-looking troupe, one that flashes no pretensions as it blows your mind.
Anthony Burgess considered Ford Madox Ford to be the greatest of 20th century English novelists.
Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
The company is notable for its precision, charisma, and the calculated chaos created by sui generis Israeli choreographer Ohad Naharin.
Lost amid a flood of new music in the early ’70s, the three lps under review here never received their due.
Eventually, former Oasis leader Noel Gallagher gave everyone (including the diehards) what they really came to hear: Oasis banger after Oasis banger. B-sides, album tracks, and stripped down versions of the classics.
It’s easy to mythologize “The Days of Wine and Roses” because this album documents a band whose lineup splintered almost immediately.
First presented in 1813, “Les Abencérages” displays the mastery and inventiveness of the renowned composer of the opera “Medea.”
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