Review
Does the world really need another personal abortion story? The answer is “yes,” Pauline Harmange argues.
Read More
Katherine Heiny has a particular talent for opening lines: “Your elderly father has mistaken his four-thousand-dollar hearing aid for a cashew and eaten it.”
Read More
Armed with a quarter of a billion dollars from the people who chucked him to the MAGA wolves, director James Gunn has created one of the most mean-spirited and nasty movies to have come down the pike since Straw Dogs.
Read More
Her hope for Israel today, Zoya Cherkassky told me, is the evolution of a multi-racial society that she hopes will ensure its survival.
Read More
And So We Walked is about the performer finding her roots, and that quest is often meandering.
Read More
From beginning to end, this was a magical concert: beauty, poetry, and yes, unbelievable chops.
Read More
A rundown of three narrative programs and one documentary program. We just might see these directors’ names on future IFFBoston features.
Read More
Éric Vuillard’s method is to create an ironic rapport with the powerful: his vignettes dramatize how France’s elite delude themselves into thinking the colonial world order can be kept intact after World War Two.
Read More
This is what cinema is all about and these will probably be some of the best movies you will see all year.
Read More
If Andris Nelsons’s direction revealed one thing, it’s that violinist Anne-Sophie Mutter and composer Thomas Adès make a stellar musical pairing.
Read More
Arts Feature: Best Movies (With Some Disappointments) of 2025