Review

Music Festival Review: 11 for 11 — Highlights of Big Ears 2024

March 31, 2024
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‘More than cool’ was the defining ethos at this year’s Big Ears, a sprawling, sold-out festival that finds a dozen venues running concurrently over four days and nights.

Theater Review: “Mrs. Krishnan’s Party” — Daal M for Merriment

March 30, 2024
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Let’s face it, we could all use a celebration of renewal and togetherness that crosses cultural (and political) borders.

Book Review: “Limitarianism” — An Idea Whose Time Has Come

March 30, 2024
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In this pointed book about the harm done by the super-rich, Ingrid Robeyns is out to convince us that limiting wealth, and reallocating it, will result in a better life for all of us

Film Review: “No Other Land” — In The West Bank, Seizing Land and Smashing Cameras

March 29, 2024
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Watch “Five Broken Cameras” as “No Other Land” finds its way to festivals beyond Berlin. By then, the forced displacement of people in the West Bank will look gentle compared to the relentless siege of Gaza.

Film Review: “Asphalt City” — Paramedics on the Mean Streets

March 29, 2024
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The director did his research: he rode with EMTs so the Asphalt City’s grim vision is real and convincingly ramped up.

WATCH CLOSELY: Lions and Lambs

March 28, 2024
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Here are some recommendations of old and new streaming picks: some are leaving very soon, some should be around for a while.

Film Review: “Problemista” — Immigration Blues

March 28, 2024
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In “Problemista,” Julio Torres has managed to make the trauma of the undocumented immigrant, struggling to stay in America, as amusing as it is agonizing.

Author Interview: Historian Steven Hahn on “Illiberal America”

March 28, 2024
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“The hardest part of the book for me to write was the conclusion. It’s a very dark book. I didn’t want to write a dark conclusion, but I also didn’t want to be Pollyannaish about it.”

Film Review: “Mad Props” — Collectors on the Hunt

March 27, 2024
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This sweet, amusing documentary revolves around collectors (all eager males) who are crazy with nostalgia for the mainstream cinema of the late 1970s through the 1990s.

Jazz Album Review: “Johnny Griffin, Live at Ronnie Scott’s 1964” — A Somewhat Flawed Set

March 27, 2024
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This is a blemished set that I, a Johnny Griffin enthusiast, am glad to have.

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