Review
Despite some hiatuses and a non-lasting change in the guitar slot, X has amazingly soldiered on for four decades since its 1977 formation and 1980-1984 heyday to remain standing with its original lineup.
“Leopoldstadt” is one of Tom Stoppard’s most heartfelt and expansive works, its poignant storyline inspired by events in his own life.
Pianist Ran Blake’s performance was like a long dreamscape of personal reflection and meditation.
Two fine examples of musicians taking the vibraphone in and out.
“The Substance” is the most insane midnight movie you’ll see in a multiplex in 2024. Needless to say, I loved it.
Rock Album Review: Galaxie 500, “Uncollected New York Noise 1988-1990” — Expanding the Band’s Legacy
Through it all, the members of Galaxie 500 have stayed true to the idea of “indie” as a personal and political vision rather than a mere genre tag.
Reviews of three shows seen during a trip to Ireland and England — Shakespeare at London’s Globe and “Dublin Oldschool” and “Riverdance” in Dublin.
With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
The Toronto International Film Festival (TIFF) had much to offer this year, once you walked through construction debris to get to the theaters. Here are some films worthy of note.
Concert Review and Commentary: Music Worcester’s The Complete Bach & In Memoriam, Richard Dyer
Music Worcester’s ambitious project, which will involve multiple Boston-area music groups, is slated to run the next eleven seasons. The goal will be to present every note the great man wrote. And a homage to the late Richard Dyer, the chief classical music critic of “The Boston Globe” for three decades.
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