Review
At the Leader Bank Pavilion, Perry Farrell was tackled after he pushed and punched guitarist Dave Navarro, abruptly ending the show a few songs early and putting the reunion tour of Jane’s Addiction’s original lineup in limbo.
Cinematic in inspiration, Diane Paulus’s direction whips up terse bursts of adolescent energy, tapping into a cocky hunger for self-destructive combat.
The cinematic shindig’s lineup features unconventional takes on familiar subjects.
In his letters, Irish poet Seamus Heaney’s tone, and the expanse of his openness, varies according to the addressee — but his approach to all is inevitably marked by seriousness and elegance.
HBO’s “Industry” is an intense and highly intelligent series that just seems to keep getting better and better.
The 8-piece band Tuba Skinny is one of the most entertaining purveyors of traditional jazz around.
You want Baroque energy and Early Classic poise? Here’s a first-rate recording of a one-act, one-singer opera by Telemann along with some of his imaginative orchestral works.
Goose’s three nights seemed a bit hit-and-miss, which is not unusual for jam-bands, although that only made highpoints more exhilarating.
Spanish director Victor Erice looks back at what’s lost and gained in “Close Your Eyes”.
“The Front Room” lacks the suspense and tension of “My Mother the Car” and, on top of that, it doesn’t have the benefit of a super-catchy theme song.
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