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By Peter Walsh Luis Meléndez: Master of the Spanish Still Life, Museum of Fine Arts, Boston, MA through May 9. Locked into a low-status, unprofitable niche, talented Spanish still-life painter Luis Meléndez (1716–1780) made little money and achieved even less fame during his lifetime. He is said to have complained to the king, who never…
If you’re heading out toward the Berkshires and haven’t yet made plans for Valentine’s Day, consider taking your significant other to brunch at Shakespeare & Company for a five-course meal before the matinee. By Helen Epstein Les Liaisons Dangereuses by Christopher Hampton. Adapted from the novel by Pierre Choderlos de Laclos. Directed by Tina Packer.…
By Justin Marble Feb. 5-9, Recent Raves at the Brattle: Left out of the film talk at your last dinner party? Here’s your chance to get caught up. The Brattle is hosting a week of some of the best films of 2009, sponsored by the Boston Society of Film Critics. Harder to find titles like…
A recent piece in the New York Times provides further proof of the increasingly pernicious stranglehold marketing exerts on the production of new voices in the theater. By Bill Marx Let’s face it—the fastest growing segment of non-profit hiring in the arts over the past decade or so, marketing, is now pretty much in the…
By Caldwell Titcomb Feb. 3, 5, 6: The Boston Lyric Opera (BLO) stages Benjamin Britten’s “Turn of the Screw,” based on Henry James’ tense ghost story. Conducted by Andrew Bisantz. The singers and production staff are all making their BLO debuts. The Castle at Boston Park Plaza & Towers, 130 Columbus Avenue, Boston. 7:30 p.m.
By Justin Marble
By Bill Marx The coming month offers some unusual examples of theater. Finished with “exploding” Shakespeare, the American Repertory Theater has decided to present the American classics unabridged. Produced by the Elevator Repair Service, “Gatz” is an evening of drama that revolves around a complete reading of “The Great Gatsby” by F. Scott Fitzgerald. Political…
By Caldwell Titcomb Jan. 6,7,8,9,12: The Boston Symphony is led by Ton Koopman (b. 1944), Dutch keyboardist, conductor, and specialist in early music, knighted in 2003 in the Netherlands. With a bow to Haydn, the bicentennial of whose death occurred in 2009, there are two works: Symphony No. 98 in B-flat Major (1792), and Cello…
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past