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By Bill Marx Somewhere an enterprising graduate student is working on a trenchant study of the correlation between holiday stage entertainment and the American economy. When things were looking bright and profitable the shows became cynical and comic, with mischievous elves placing whoopee cushions under our delusions of good cheer. Now that unemployment is high…
Read MoreBy Helen Epstein 1) Nov 2: This Monday’s free concert at Jordan Hall celebrates Eastern European composers and players. The unusual musical line-up includes the Haydn Piano Trio in E minor, the Boston premiere of Kati Agócs’s “Awakening Galatea,” Bacewicz’s “Suite for Two Violins,” and Dvorak’s Piano Quintet in A Major, Opus 81. Performance starts…
Read MoreBy Caldwell Titcomb Nov 1: Dinosaur Annex celebrates the 80th birthday of composer Yehudi Wyner with two of his works, plus music by David Liptak, Stefan Hakenberg & others. Wyner will himself perform. Goethe-Institut Boston, 170 Beacon Street, Boston, at 7:30 p.m. (Talk with composers at 6:30 p.m.)
Read MoreBy Peter Walsh A Tomb Gets its Time Forget Indiana Jones. Archaeology is not about the obvious. Case in point: the Museum of Fine Arts’ exhibition, The Secrets of Tomb 10A, opening October 18.
Read MoreBy Bill Marx October includes the usual line-up of plays by seal-of-approval dramatists, Edward Albee and Conor McPherson, but there’s some welcome new blood, from Punchdrunk’s athletic adaptation of “Macbeth” to “Little Black Dress,” playwright Ronan Noone’s latest salvo at our national psyche, and “The Overwhelming,” the Boston premiere of a critically acclaimed study of…
Read MoreBy Justin Marble October 1 through 3: Classic Cinema at Museum of Fine Arts: This weekend, the Museum of Fine Arts is showing two classic pieces of cinema. First up is Akira Kurosawa’s “Throne of Blood,” his reworking of Shakespeare’s “Macbeth” in feudal Japan. Then it’s Sam Peckinpah’s “The Wild Bunch,” a 1969 Western that…
Read MoreFor a genre that supposedly expired in the 1950’s, the big band’s vital signs seem remarkably robust here in Boston. By J. R. Carroll A welcome recent addition has been the compositions and arrangements of tenor saxophonist Florencia Gonzalez, which layer vivid sonorities and intricate counterpoint atop Afro-Uruguayan candombe and Argentinian tango. She brings her…
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio