Preview
The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.
Although hailing from different backgrounds, Tony Williams and Duggan Hill share important commonalities, most notably their engagement with urban youth.
Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
“It’s not a concert about despair,” observes Joel Cohen, “there’s a lot of festive music in it.”
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Asked what the experience was like to go back and revisit his earlier recordings, Alan Parsons explained, “It’s actually very pleasurable, like stepping back in a time machine.”
It would appear that Martin Phillipps and company are experiencing a late-career renaissance that bodes well for their future.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy