Preview
It’s not hyperbole to suggest that Dan O’Brien’s “True Story: A Trilogy” represents a distinctive achievement in theater history.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
The Portland Youth Philharmonic’s East Coast tour allows the ensemble, whose membership is mostly drawn from the city of Portland, and its nearby suburbs, to showcase their artistry in venues that will do them sonic justice, including Worcester’s Mechanics Hall.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Mass in D was Ethel Smyth’s first large-scale score and, according to Cappella Clausura conductor Amelia LeClair, the composition expressed her yearning for hope and redemption.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
O Positive and Three Colors will reunite at the Paradise Rock Club this Friday for “With a Little Help from My Friends: a Benefit Concert for a Friend in Need.”
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters