Rock
“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
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The band’s performance was stellar. Its setlist was on point: a bit of the new, a bit more of the early stuff, and a whole lot of “AM.” In America, in 2023, that’s just good fan service.
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The truth is the Beatles wouldn’t have been the Beatles without Abbey Road, and Abbey Road wouldn’t have been Abbey Road without the Beatles.
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There was no doubt guitarist Chuck Garvey was already up to the task, sealing the grit and heart necessary to return moe. to jam-bound heights.
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Karina Rykman’s rookie recored, “Joyride,” delivers a beguiling blend of pop smarts and psychedelic proclivities.
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Languid sameness dominated the Wang concert at times, though the acoustic strings and subtly submerged horns and percussion made the sonic scope of Sigur Rós’ music more delicate and human.
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The album may be loose and jagged, but there are no half-baked moments because Andrew Bird’s ear for rhythm, and his impressive improvisational skill, are too inventive to ever be dull.
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The 76-year-old Carlos Santana didn’t need to dominate with guitar showmanship to make his two-hour-plus concert fly without any lag in energy and spirit.
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Rock journalist Jim Sullivan’s writing style has always been conversational rather than confrontational.
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Arts Remembrance: Appreciating Robbie Robertson
Robbie Robertson was born and raised in Canada but he seemed to understand the American myth better than most of his southern neighbors did.
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