Rock
This was a generous two-set show whose imaginative pacing spotlit exploratory jams and interesting reconstructions of classic Dead fare.
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Leon Bridges is the master of soft sensual tones, particularly when he intermingles the romantic and the steamy.
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Sleater-Kinney’s Carrie Brownstein gave Charlie Watts a shout-out, while Wilco’s Glenn Kotche displayed the words “Charlie is my Darling” (the title of a 1966 Stones tour documentary) on the head of his bass drum.
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Watts’ relentlessly unembellished drive on dozens of classic songs, from “Satisfaction” and “Shattered” to “Connection,” is what makes them so danceable.
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“Once we have the chemistry in the room, it’ll come back,” says the Zulus’ guitarist Rich Gilbert.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year. This month’s especially eclectic list includes The Allman Brothers Band, Roy Brown, Black Sabbath, Johann Sebastian Bach, and the Art Ensemble of Chicago.
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Roadrunner: New Light, New Machine is Brockhampton’s tightest album to date.
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Arts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Little Feat, Jonathan Edwards, Hot Tuna, The Red Detachment of Women, and Jimmy Witherspoon & Eric Burdon.
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Regardless of what the future holds, Derek Trucks said that he and his bandmates are grateful for every opportunity to get back in front of live audiences.
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Music Remembrance: Don Everly (1937-2021)
The Everly Brothers’ close harmony work was so sinuous it sometimes seemed close to witchcraft.
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