Rock
Walter Crockett’s beautiful album is as multifaceted as life itself.
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I applaud She & Him’s selection of Brian Wilson tunes while at the same time feeling that some are not well-suited to their loungey, languid pop stylings.
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“One of the positives to come out of this whole [pandemic lockdown] experience is that everyone found out what is important in their lives. Those of us who love music realized just how special it is.”
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The Stone Age is only about the gossip, to the point where even when something (potentially) true comes along, it still reads like trash.
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“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
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Our cup runneth over with tears — at this point, breakup albums may have overstayed their welcome.
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The album isn’t a dull listen because it hammers home the high anxiety that many are feeling, particularly in California, land of the forever drought and endless forest fires.
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Puscifer pulled off a great show of rock ’n’ roll farce, and that is saying something considering that the daily news feels ever more like scripted buffoonery.
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Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
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The high quality of the material presented thus far justifies Tedeschi Trucks Band’s decision to release these songs in small batches over the course of three months.
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