Popular Music

Country Music CD Review: “We Shall All Be Reunited: The Bristol Sessions, 1927 & 1928” — Revising Musical History

December 30, 2020
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Producer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.

Music Feature: Five of 2020’s Best Boston Reggae Recordings

December 29, 2020
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Lots of artists made recordings during their lockdowns that have been released as vinyl, streams, videos and, in the case of the Attractors and Flying Vipers, even cassette tapes.

Blues Album Review: Robert Connely Farr’s “Country Supper” — Feed a Hunger for That Lonesome Delta Sound

December 19, 2020
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Country Supper is a beautifully produced album, a cohesive musical and artistic statement that will appeal to serious fans of the blues, country, and indie rock.

Arts Remembrance: Charley Pride — The Man Who Sang Honky-Tonk Best

December 13, 2020
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When Charley Pride did display anger, it concerned how the country music establishment treated older artists.

Pop Review: Gorillaz’s Exhilarating “Song Machine”

November 10, 2020
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Song Machine rejuvenates the band’s core identity; it is the best music Gorillaz has made in a decade.

Folk Album Review: Fleet Foxes’ “Shore” — Finding Serenity in Anxious Times

October 28, 2020
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For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.

Rap Album Review: Open Mike Eagle’s “Anime, Trauma, and Divorce” — Personal Matters

October 25, 2020
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Open Mike Eagle may have written this album for himself, but many others will recognize themselves somewhere in his words and in his pain.

Music Review: Best New Songs – September, 2020

October 15, 2020
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A selection of new songs that are about keeping sane in a world that seems increasingly out of everyone’s control — in nearly every sense.

Rap Album Review: Action Bronson — The World’s Rapper?

October 8, 2020
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In Only For Dolphins, Bronson serves up his usual brand of excessive escapism, but it is offset by just enough emotional depth to suggest that he is maturing as a person and an artist.

Concert Review: Farm Aid 2020 — The Promise of the Real

September 29, 2020
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When Willie dove into “On the Road Again” to close the set, singing of “making music with my friends,” one could envision the same hopes for Farm Aid to resume its annual trek to an amphitheater somewhere in America and stoke the communal cause.

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