Music
This is a blemished set that I, a Johnny Griffin enthusiast, am glad to have.
Read MoreThe Portland Youth Philharmonic’s East Coast tour allows the ensemble, whose membership is mostly drawn from the city of Portland, and its nearby suburbs, to showcase their artistry in venues that will do them sonic justice, including Worcester’s Mechanics Hall.
Read More“3 Shades of Blue” is at its most compelling seen as an extended essay about drugs, creativity, the jazz life, and the mysterious nature of musical genius.
Read MoreMoppa Elliott is an important jazz composer and a dynamic leader. When he brings a group to our area (which happens only rarely), do not miss the gig. When he issues a new recording, pay attention.
Read MoreThe Sinfonia of London and Susanna Mälkki with the Helsinki Philharmonic Orchestra release recordings filled with color and beauty.
Read MoreThis is an album that I recommend heartily to anyone who enjoys exquisite music making, stunning booklet artwork, and serious scholarship.
Read MoreThe shamefully belated release of the first recording (1992!) of “L’olimpiade,” a major work by Hasse (a renowned contemporary of Handel and Vivaldi), featuring some of the best singers of the day, including male soprano Randall K. Wong.
Read MoreMoppa Elliott makes eminently approachable music at a very high standard, with great ingenuity and sophistication. He has proven himself to be one of the most inventive and creative composers for small jazz ensemble since Charles Mingus.
Read MoreSaturday night’s advertised performers paid robust homage to the late Gary Smith — the Fort Apache Studios owner, producer, and band manager — across three and a half hours at the Somerville Theatre.
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Music Commentary: A Mystery Solved on the 50th Anniversary of the Release of “Queen II”
It is well established that the lyrics to the song on “Queen II” that’s directly about the painting (called “The Fairy Feller’s Master-Stroke”) originate from a poem Richard Dadd wrote about his picture. What’s never been established though is exactly how Freddie Mercury became aware of this poem.
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