Music
Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.
Each of these four projects requires deep attention from a listener. Only two of them repay that attention with the musical rewards that bring a listener (this listener, at least) back for rehearings.
Multi-instrumentalist Andrew Lamb, with his spiritual imperative, is clearly seeking, and achieving, incantatory power.
“This book let me find out for myself why I’ve been obsessed with Dylan since my teens, and I presented what I learned in a way that I hoped others would at least see that I’m not crazy.”
When the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.
George Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
Despite the charges of some purists, jazz was alive in the hands of a few veterans at Newport Jazz 2024, as well as newcomers sharing their own voices in the tradition.
Conductor Manfred Honeck and the Pittsburgh Symphony deliver a conspicuously satisfying and fluent Bruckner Seventh. Dutch violinist Janine Jansen also possesses an uncommon ability to enliven the familiar.
John Wilson and his players clearly have the measure of Eric Coates’ tuneful, often clever, style and deliver it to the hilt; Aziz Shokhakimov and the Strasbourgers, though still on a learning curve, have a bright future ahead of them.
Made up of a Californian, a Palestinian, and a native of Cyprus, Ize Trio is about probing into the meaning of cultural differences as well as learning each other’s personal characteristics.
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