Music

Coming Attractions in Underground Music: April 2012

March 30, 2012
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April brings the Together Electronic Music Festival. I’ve listed my highlights.

Concert Review: Chameleon Arts Ensemble Delves into the Romantic Spirit

March 25, 2012
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Chameleon Arts Ensemble’s program, “into unison with romantic spirit,” contained more rarities than many chamber music groups perform in a season.

Concert Review: Frank Peter Zimmermann and the Boston Symphony Orchestra/Juraj Valcuha

March 23, 2012
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The concert’s other purely orchestral work, Mendelssohn’s “Scottish” Symphony (no. 3), came after intermission and offered Mr. Valcuha the opportunity to demonstrate his command of large-scale symphonic structure. Let’s just say he flexed some pretty impressive muscle.

Concert Review: Lowell House Opera Presents “Snegurochka”

March 23, 2012
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Although there is room for improvement, the singers engage each other, as well as the orchestra, with vigor and skill, making for a satisfying “Snegurochka” in Russian.

Concert Review: Nicholas Kitchen and Yeesun Kim at the Worcester Art Museum

March 22, 2012
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WAM’s Chamber Music Series is a model for what chamber music performance ought to be: excellent musicians performing in a small space with a rather informal air to the proceedings.

Fuse Podcast: March Underground Music

March 20, 2012
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The first in a series of Fuse podcasts. This inaugural (and experimental) outing samples the best in underground music.

Music Photos: The Dropkick Murphys Drive the Snakes out of Lowell

March 19, 2012
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The Dropkick Murphys shipped up to Lowell for their 2012 St. Patrick’s Day concert, and the Arts Fuse was there.

Classical Concert Review: Cantata Singers Deliver the Goods, Passionately

March 19, 2012
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Section by section, Cantata Singers & Ensemble are as good as choral groups get, which in this town of dozens of choruses, says quite a lot.

Theater Review: “Next to Normal” Takes American Musicals Into the New Millennium

March 16, 2012
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This musical’s challenging, raw, and poignant storyline, along with the stunning work of the SpeakEasy Stage Company cast and designers create a can’t-be-missed, far from normal production.

Concert Review: Yeol Eum Son at Mechanics Hall, Worcester, MA

March 9, 2012
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Ms. Son’s performance of Debussy’s Preludes nos. 3 – 8, while mostly note-perfect, was marked by a tentativeness that kept any of them from really blossoming.

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