Music
Here is Tanglewood live and uncensored, as it were, with music often thrillingly brought to life by some of the hallowed legends of the BSO’s storied past: Koussevitzky, Monteux, Munch, Leinsdorf, Ozawa, Bernstein, Previn -— the list goes on and on.
Greg Hawkes and his trio are proof that in the right hands, with the right material, an evening of ukulele is a marvelous showcase for the pure beauty of great songwriting and the virtuosic ability to wring exquisite chords and blissful harmonics from four strings on a stubby fretboard.
Instead of painting the vibrant and colorful scene which is New Orleans, author Matt Miller supplies dry exposition about each event via a blow-by-blow chronological time line.
Wadada Leo Smith’s album contains avant-garde music with a human face, intimate and appealing and beautifully played by a band of virtuosos.
For anyone interested in classical music, “Motherless Child” is a novel to be savored. And there is no doubt that Zeitlin has gotten those details right. She is the widow of the great violinist and teacher, Zvi Zeitlin, who died this past May at 90.
August ushers in some Lo-fi indie here in New England. Sebadoh and HR from Bad Brains are the well-knowns, but homegrown musicians Dan Blakeslee and School for Robots show us that minimalist artistic bones are growing healthy below the radar.
Updated: Brazilian jazz vocalist Leny Andrade performs at the Deer Isle Jazz Festival on Saturday, July 28.The first half of July, dominated by Independence Day festivities, is–fireworks aside–pretty quiet in New England. But then the festival season really kicks into gear.
Under the baton of its Artistic Director, Susan Davenny Wyner, Boston Midsummer Opera has become an annual highlight of Boston’s classical music line-up during the summer.
Through the years, the Green River Festival has grown and I found this year it was harder to get into some of the smaller stages. It might be time to bump up the size of some of the smaller tents, so that people outside the tent can see what’s happening on the stage inside the tent, too.
According to former WGBH Jazz DJ Steve Schwartz, “In retrospect, the writing was on the wall. About a year and a half ago, our shows were cut by an hour; before that, we were told we could no longer use the names of our shows or our theme songs.”
Recent Comments