Music
Updated. Reeling from the impending cutbacks to WGBH’s programming, the Boston jazz community is beginning to find its footing in organizing a response. First up, a jazz funeral on the 5th of July.
The overall prognosis for the Boston Symphony Orchestra is good. While there remains room for growth and improvement both artistically and financially, the Orchestra has the advantage of a solid musical reputation and a strong core of patrons who support its mission.
The Boston Symphony Orchestra’s (BSO) residency at Tanglewood begins with an all-Beethoven concert on July 6th and runs through August 26th (when it concludes with a John Harbison premiere and more Beethoven –- the Ninth).
With the first official heat wave behind us, summer is now in full swing and there is a ton happening musically in New England. This month local music shows off its diversity.
July brings a solid list of rock shows — and one good electronic gig — full of intelligent dance music. You should trudge through the humidity and lightning to get to one of these shows. I’d particularly recommend Gary War.
A critically acclaimed player in the New York avant-garde scene, Theo Bleckmann is clearly a Kate Bush connoisseur, and his commentary on her work was as compelling as the performances
Updated. The year 1962, the terminus of Richard Vacca’s new history of Boston jazz, marked an end to an era. Fifty years later, with the cutbacks in jazz programming at WGBH, are we approaching a similar inflection point?
Updated.As many Boston listeners feared, WGBH has put its jazz programming on the road to extinction. What is to be done?
Orango is one of the tantalizing “what might have been’s” of musical history: a biting social commentary on Soviet society on the fifteenth anniversary of the October Revolution, written when Shostakovich was at the height of his musical powers and popularity.
At Land’s Edge is a creepy and wonderful piece of art that will more than likely inspire a mind-altering live experience.
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