Music
A round-up review of new releases from Harmonia Mundi — an invigorating crop of albums.
The music Allan Chase’s septet presented at the Lily Pad on Wednesday night made a cogent argument for Sun Ra’s place among the great jazz composers.
I confess: I also was among those who witnessed Peter Rowan play a zillion years ago, circa 1970, when he sang like an angel with Bill Monroe and the Blue Grass Boys.
Boston’s Outside the Box festival falls far short of its stated mission to be “revolutionary” or “world class.”
Palma Violets are the greatest live band I’ve ever seen. I’m not backing down from that.
Vampire Weekend may hail from New York City, but with their boat shoes, button downs, and lyrics like, “Irish and proud, baby, naturally/But you got the luck of a Kennedy,” Massachusetts is their true spiritual home.
Come celebrate the music of Sun Ra: legendary jazz composer, bandleader, piano and synthesizer player, poet, theatrical ringmaster, and lyricist of the extra terrestrial.
Ray gave us permission to peek through his doors of perception and a chance to live, for just for a few hours, in his world.
The last Chameleon Arts Ensemble performance of this season, “mystic moons and dream music,” promised much, with three famed masterpieces by Debussy, Stravinsky, and Schoenberg.
This Judicial Review deals with the Boston premiere of John Harbison’s opera version of F. Scott Fitzgerald’s novel The Great Gatsby. Read the reactions and join the conversation.
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