Music
It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.
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A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.
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One thing, among others, that sets Jason Isbell apart from his country scene contemporaries is that he isn’t afraid to break the all-American code of manly stoicism.
Read MoreMusician Interview: Rick Berlin Talks About His New Album “WTF!?,” His Upcoming Show, and Turning 80
Rick Berlin is about to triple dip in the area of major achievements. April 19 marks the release of the Nickel & Dime Band album WTF!?, it is the date of their performance at Brighton Music Hall, and it also marks Berlin’s 80th birthday.
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A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.
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Mogwai’s explosive sound has inspired numerous bands around the world, including in the Boston area.
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Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
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Despite — or maybe because of — all the global turmoil, an awful lot of compelling music was heard at Big Ears.
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The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
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Three powerful albums showcase the imaginative visions of Arturo O’Farrill, The John Santos Sextet & Friends, and Rachel Therrien’s Latin Jazz Project.
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