Music
“You make it a goal — one day performing on a big stage, such as Boston Calling. To see it come to fruition is a dream, it’s awesome.”
Some unfortunate misfires in a collection that, otherwise, has a lot going for it.
NDR Radiophilharmonie and Stanislav Kochanovsky may generate new fans for Tchaikovsky’s four orchestral suites; if you only want to dip your toes in Thomas Adès’ extraordinary music, his own take makes for a worthy introduction.
Getting to know the Composer Chair of the Boston Symphony Orchestra, the first composer of color to have a comprehensive long-term relationship with the BSO.
Happily, the composers on this compelling BMOP program were not cowed by tradition.
The arty, satirical rockers from Akron, Ohio, remain a singular entity — Devo has been as inspirational as it has been influential.
Pietro Auletta’s “L’Orazio” (1737), with substitute arias by other composers, gets a first-rate performance from the renowned Valle d’Itria Festival.
Russian composer Dmitri Shostakovich was both a rebel and a conformist, a fascinating hybrid of courage and cowardice.
Ferruccio Busoni’s century-old (or -young) Doktor Faust, inspired by Christopher Marlowe and other pre-Goethe sources, offers a fascinatingly hellish ride.
Music Commentary: New Orleans Jazz & Heritage Festival — The More Things Change …
At the New Orleans Jazz & Heritage Festival we tend to gravitate to the locals and other “regional acts” from around the world and hope, most of all, for those surprises — artists unlike any we’ve seen before, anywhere.
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