Music
Listeners familiar with Lennie Tristano’s earlier work will find there are a few surprises on this disc.
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At 21, “Kingfish” Ingram is being heralded as the blues’ brightest new star. And at his first headlining gig in Boston he earned the title.
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This writer heartily recommends a trip up north to hear a fascinating range of concerts featuring artists, ensembles, and repertoires of remarkable diversity.
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Uplifting tunes for the aspiring curmudgeon you didn’t know you’d already become
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Vinicius Cantuária and band offered a night of close-listening interaction between musicians with ears wide open.
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Music lovers should seize this rare opportunity to see Beethoven’s first (1805) version of Fidelio, complete with a reconstruction of Florestan’s original aria.
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At 70, Marcia Ball is a non-stop pro, particularly at pacing. Early barn burners gave way to the slow blues of “Just Kiss Me.”
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The relative infrequency of big Berio releases makes new recordings of his major works into significant, contemporary music events; Dennis Russell Davies’ new recording of Bernstein’s Mass is done in by lax vocals and a paucity of emotional consistency; Riccardo Muti and the Chicago Symphony Orchestra supply a great Shostakovich Thirteenth Symphony.
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Circles Around the Sun has established a distinctive niche within the expanding universe of “Grateful Dead as genre,” appealing to the core audience for Dead music without having to pull songs from the group’s songbook.
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Perhaps the book’s most impressive accomplishment is to make a kind of systematic case for Leonard Bernstein’s larger compositional output.
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