Jazz
It amazed me that Lee Konitz in his nineties could still find his way through a maze of changes, chorus after chorus, and at the same time be capable of weaving a beautiful, unscripted melody while producing a sound so wide, one could crawl into it.
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What strikes this listener most is the writing’s disjointedly distinctive — sometimes unfathomable — sounds and textures, as well as the music’s unpredictable flow.
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Singer Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.
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Lee Konitz was, with Sonny Rollins, one of the last of his great generation of jazz men still swinging hard.
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I’d have to give the edge to Dave Liebman in terms of innovative creative reach. But Lakecia Benjamin more than holds her own in how she gives re-vitalizing attention to some very important musical roots.
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Last Desert proves that guitarist Liberty Ellman and his group can dance when they want
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Eschewing ostensible flash and musical sleight of hand, Without Deception is a treat for connoisseurs.
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The idea of posting this list is to remind people of what has been lost and hope that it stirs us to preserve what we have left.
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Listeners familiar with Lennie Tristano’s earlier work will find there are a few surprises on this disc.
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Arts Commentary: The Late Annie Ross — An Appreciation
Renowned singer and actress Annie Ross is urgently in need of financial assistance to pay for home care during this pandemic.
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