Classical Music
Two Mahler symphonies, one sluggish the other intense, while symphonies composed by Louise Farrenc, Mozart, and Haydn are done right.
Superb discs from pianist Lars Vogt, violinist Francesca Dego, pianist Denis Kozhukhin, and violinist James Ehnes on the viola.
It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
It is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.
This performance was far more than special and crazily beautiful — it was extraordinary.
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
Classical Music Commentary: Boston Symphony Orchestra’s 2018-19 Season Announcement
The BSO seems to have taken to heart complaints about its lack of programming diversity, devoting two full programs to underrepresented groups.
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