Classical Music
The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
The final two concerts of the BSO’s season were in the orchestra’s sweet spot.
This performance of Ives’ Third was the most welcome entry in the Boston Philharmonic Orchestra’s celebratory season – a beautifully considered, powerfully rendered account of this too-neglected score.
Desires will surely solidify ORA Singers’ reputation as a first-class choral ensemble.
A bit surprising — that two megastars choose such meat and potatoes repertoire.
The cellist is a member of a tribe of fabulous players/singers who are funny, thoughtful, opinionated, brilliant, and irreverent.
The music swelled as the early universe spun …
MassOpera’s updated version of Die Fledermaus pulls off a major feat.
A freshly thought through, energetically executed Berlioz disc; a lovely album that contains excellent performances of underperformed and unfamiliar repertoire that deserves to be heard and championed; a fine, sometimes inspired account of Respighi.
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