Classical Music
Two recordings serve up the music of Mozart in unusual packages.
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Nancy Dalberg’s string quartets are worth getting to know, Wynton Marsalis’s violin concerto receives an electrifying performance, and Osmo Vänskä and the Minnesota Orchestra continue to churn out a less than necessary Mahler cycle.
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Herbert Blomstedt conducts a powerful version of Mahler’s valedictory essay, organist Christopher Jacobson provides a so-so “Organ” Symphony, and Kirill Petrenko’s initial recording as the chief conductor of the Berlin Philharmonic is lovely.
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A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”
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Reviews of three superior vocal recordings, featuring baritone Gerald Finley, tenor Ian Bostridge, and baritone Thomas Meglioranza.
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In this extraordinary recording, harpsichordist Mahan Esfahani is given a chance to perfectly convey the power of his emotions.
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This album led me to choose, for a summer project, to listen to all of the music of Janáček — and it has been a complete delight.
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This world-premiere recording of the 1826 Paris version of Gaspare Spontini’s Olimpie makes a powerful case for a composer much admired in his own day.
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The BPYO’s repertoire in Brazil is drawn from last year’s programs and is built around Rachmaninoff’s Piano Concerto no. 2.
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Arts Commentary: Some Thoughts on the Boston Philharmonic Youth Orchestra’s 2019 Brazilian Tour
Suffice it to say, the tour was an extraordinary experience, musically and culturally, and, for me, a conspicuously potent introduction to a new continent.
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