Classical Music
Rossini’s Zelmira is a powerhouse opera that features two coloratura tenors and equally demanding roles for soprano and mezzo.
A world-star soprano, in her magnificent prime at age 36, offers her first recital CD, and you can participate in its online “launch.”
Lovers of Baroque opera will welcome this release: the first recording — and a very accomplished and communicative one —of an important opera by a pioneer and master.
Antônio Carlos Gomes’s Lo Schiavo (The Slave) receives its first major recording — and stakes its claim in the repertory.
Author Ethan Mordden serves up plenty of entertaining yarns, sometimes as exaggerated as the genre to which they pay homage.
This is a conductor and ensemble that have the measure of Max Bruch’s style and voice well in hand.
Evaluations of a smorgasbord of Beethoven symphony recordings.
Grétry’s Raoul Barbe-Bleue — the story of the original lady-killer, Bluebeard — receives its world premiere recording and it’s splendid.
Is it any wonder? An opera that angered Louis XIV in 1677 brings enormous pleasure in 2020.
This San Francisco Symphony release proves to be a fitting send-off for music director Michael Tilson Thomas; there’s much to admire in the Seattle Symphony’s playing of Carl Nielsen’s first two symphonies; fiery energy from both violinist Arabella Steinbacher and the excellent Münchener Kammerorchester make their new disk a gem.
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