Classical Music
Music in Eight Parts is a welcome and inviting addition to the Philip Glass canon; the Summer of Thomas Adès continues with a stirring new recording of the British composer’s keyboard work; Anna Clyne’s Dance is, without a doubt, one of the finest pieces I’ve heard this year.
It wasn’t until 2009 that a trove of Florence B. Price scores was discovered in a dilapidated house in down-state Illinois and a revival of interest in this most remarkable of composers began in earnest.
It’s Beethoven’s 250th birthday year: reviews of four sets of the complete piano concertos from, respectively, Paul Lewis, Stewart Goodyear, Inon Barnatan, and Stephen Hough.
An impressively original release from violinist Lara St. John and pianist Matt Herskowitz; a tremendous Ligeti performance from the Jupiter String Quartet; Justin Badgerow releases a finely curated and played survey of mostly 20th-century solo piano music from Brazil.
Pianist Thomas Adès proves himself a sympathetic champion of Czech composer Leoš Janáček; it’s not often that a Schumann-Mendelssohn album focuses on the music of Clara and Fanny (rather than Robert and Felix); Jenny Lin’s performances of piano pieces by Philip Glass don’t lack for style or technical command.
It took more than a century, but Amy Beach’s Piano Quintet has finally got the recording it deserves; it would be hard to beat the all-star line-up featured in The Cave of Wondrous Voice; and ready for some flawless Shostakovich?
What lies beyond COVID-19 for the arts community?
Metamorfosi is a marvelously effective and amusing one-act opera that would suit college opera workshops splendidly.
Immortal Beloved is a CD that will appeal to lovers of fine singing and to people curious about some hidden corners of Beethoven’s output.
Arts Commentary: Reviewing Music, Re-viewed
Our opera-loving reviewer contrasts his own pieces, written 48 years apart, on the same Offenbach operetta.
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