Classical Music

Opera Concert Review: Benjamin Britten’s “Curlew River” — From Woundedness to Wholeness

October 31, 2021
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With its wide-ranging textual and musical materials, this “church parable” stands as one of Benjamin Britten’s most striking creations.

Classical Album Review: A Completely Refreshing “Americascapes”

October 18, 2021
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A terrific album, commandingly played, that adds to our knowledge and appreciation of this too-long neglected repertoire.

Classical Concert Review: Boston Philharmonic Orchestra plays Bruckner’s Symphony No. 8

October 16, 2021
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This was an epic performance of an epic piece, steeped in Brucknerian character.

Classical Concert Review: Boston Symphony Orchestra plays Strauss and Mozart

October 12, 2021
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Andris Nelsons’s conception of Strauss’s Tod und Verklärung was impressive, marked by strong contrasts of character, flexibility of phrasing, and a commendable grasp of musical space.

Classical Music CD Review: The Aptly Named “Enigma” String Quartet

October 10, 2021
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I’m not entirely sure if Enigma just adds up to the sum of its parts or if it, in fact, exceeds them. Either way, it is music of stirring, striking originality.

Classical Music Preview: Catching Up and Looking Ahead with Benjamin Zander on the BPO/BPYO Season

October 9, 2021
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For Benjamin Zander and his musicians – as for all of us – it was a strange, even desperate, several months.

October Short Fuses – Materia Critica

October 7, 2021
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.

Classical Album Review: The British Project

October 5, 2021
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This is an all-English album whose strongest moments are mighty and who’s most intriguing piece is a revelation.

Classical Album Review: A Treasure Trove of Saxophone Music Lost, Forgotten, and of Our Time

October 1, 2021
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Major works for saxophone in world-premiere recordings featuring virtuoso Paul Cohen and his brilliant colleagues.

Concert Preview/Interview: Anne-Sophie Mutter Plays John Williams’s Violin Concerto no. 2

September 29, 2021
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A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.

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