Classical Music
I have heard many recordings of Bach’s work, but none had the vibrancy of what I heard in Jeremy Denk’s Sunday concert.
Read More
A new recording of Ferdinando Paër’s Leonora gives us characters we love (or love to hate) in a fresh light
Read More
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
Read More
I am beginning to suspect that Franz Schreker was the most effective of the many semi-forgotten opera composers who were active in the German lands during the first decades of the twentieth century (that is, ones less well known today than Strauss, Berg, and Kurt Weill).
Read More
Marvelously accomplished albums from American mezzo-soprano Joyce DiDonato and Canadian soprano Barbara Hannigan.
Read More
Two first-rate albums: pianist Lara Downes successfully reconsiders Scott Joplin and the New York Youth Symphony plays Florence Price and others with panache.
Read More
A varied buffet of fresh musical experiences from recent decades and from the mid-1700s.
Read More
There are times – and we’ve been living in these for several years now – when boldness is required, especially from artists.
Read More
This first-rate performance highlights the special attractions of the “half-serious” operatic genre.
Read More
Music Commentary: Jean Sibelius’s Violin Concerto — The Universal Concerto?
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
Read More