Classical Music
Joseph Bologne, whose mother was a slave in Guadeloupe, proves to be as skillful in vocal-dramatic music as we have long known he was in instrumental works.
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We’re not saying get rid of “Madama Butterfly” We’re saying do a better Butterfly.
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The arrangements seem to emerge organically from the structure and feel of the compositions and harmonies, like leaves unfolding from the stem of an exotic plant.
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The album is a welcome appendix to the conductor’s admirable symphonic cycle with this orchestra, as well as a timely reminder of Vaughan Williams’ compositional range.
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A three-movement concerto for violin and orchestra, “Dependent Arising” fuses the worlds of heavy metal, punk rock, and 20th-century classical composition into a furious, frenetic, sometimes tortured thirty-minute whole.
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Ultimately, then, we’ve got something special here: a fresh take on some canonic works by a conductor and soloist whose bread-and-butter is this very fare.
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Move over, Beethoven, Rachmaninoff, and Bartók: the pantheon of great Third Piano Concertos is growing.
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This new recording of Charles Villiers Stanford’s”Requiem” by Martyn Brabbins, the City of Birmingham Symphony Orchestra (CBSO), and the University of Birmingham Voices, is beautiful and often memorable.
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An album that does admirable justice to one of the most prolific, significant, and increasingly long-lived composers of a remarkable generation.
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Commentary: Brandeis University Axes the Arts
Gutting a venerable department – particularly a world-renowned one that, by all accounts, delivers – in the name of belt-tightening is shortsighted and foolish.
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