Classical Music
Julia Fischer’s account of Brahms’s Violin Concerto with the Boston Symphony Orchestra (BSO) this weekend was nothing if not dynamic and impressive.
The first in what is surely going to be Blue Heron’s memorable series of testaments to the neglected brilliance of composer Johannes Ockeghem.
The main takeaway from this first BSO album under new music director Andris Nelsons is the excellent, exciting Sibelius performance.
Evaluations of a number of intriguing new albums, including praise for a disc of string trios by Eastern European composers performed by Ensemble Epomeo.
After several years in the wilderness, it seems that, on the conducting front at last, the BSO is again in good hands.
The media tools now available have brought us closer than ever to getting the amusements we want as soon as we want them, which puts all forms of art music at a serious disadvantage.
This post is the first of 17 in an ambitious series examining the traditions and realities of classical piano concertos influenced by jazz.
The Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
Johannes Moser is a cellist I have admired for some years.
Music Commentary Series: Jazz and the Piano Concerto — Who Will Buy?
The writing is on the wall, and it’s not just a warning to the composer who trifles with the idea of writing a JIPC. It’s a warning to everyone who takes music seriously.
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