Opera
Every performance of opera should leave an audience so exhilarated.
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MassOpera opened their season with a workshop of a new opera, something they’ve never done before.
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Derrick Wang’s Scalia/Ginsburg is a three character comic opera that combines elements of Jean-Paul Sartre’s No Exit and Perry Mason.
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The BLO’s production was one of the troupe’s true staging triumphs of late, transforming the Steriti Ice Rink into a 1950s-style nightclub.
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The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
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The Rosenbergs is small in scope but large in ambition; it is an accomplished and moving opera that demands attention.
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A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.
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It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
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“You can be certain that when the show begins and you hear “Mack the Knife,” the choreography will suggest scenes of slashing and murdering.”
Read MoreFor my taste, too much of the stage action during Friday’s performance was stiff and shopworn.
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