Film
We’re not in European art film territory here.
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Red Sparrow isn’t great in any way, but, at two hours and twenty minutes, we do get our money’s worth of old-school genre entertainment.
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Just about every aspect of Loveless is executed perfectly.
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Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
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The documentary Bombshell illuminates Heddy Lamar’s enigmatic legacy with gentle scrutiny and justifiable awe.
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Lelio’s latest film explores the plight of a woman whose intrinsic nature and self-worth are rejected by a world that doesn’t value her.
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Annihilation wants to be a big movie about big ideas — what we get is a flawed impersonation of one.
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As Alex Honnold observes, if he solos El Cap, it’s like winning a gold medal in the Olympics. But there’s no second or third place. If he fails, he dies.
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Del Toro creates a visually intriguing world, but the story’s premise is too farfetched to work.
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A devastating piece, given the recent mass murder in Parkland, Florida, but DeKalb Elementary unfolds with an almost eerie calm.
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