Film
The highlights of the month include films from Iran, an adult look at married life, an early movie by the criminally underrated director Todd Haynes, and what is billed as the “best Nazi zombie movie ever.” By Justin Marble. Princess Bride and Young Frankenstein. At the Brattle Theatre, January 6. It’s not often that viewers…
Black Swan isn’t about surpassing ordinary limits. It’s a film about a masochist seen through the eyes of a sadist. The film could be a textbook demonstration of what academics refer to as the male gaze—with a pretty young thing poked and dismembered under a misogynist lens. By Debra Cash Darren Aronofsky has said that…
Julie Taymor’s film version of William Shakespeare’s The Tempest is conclusive proof that just because we can do something with technology does not mean that we should. Less is often more, and one great text in hand is worth a dozen computers in the mix. And what was the director thinking with the racist portrayal…
Royal National Theatre Director Nicholas Hytner is determined to make the drama as relevant to our own times as to the Bard’s. The setting is a somewhat flimsy, gray-walled salon. Theatrical apparatuses are visible: a klieg light here, a fresnel there. Hamlet by William Shakespeare. Staged by the Royal National Theatre, London, England. Taped by…
With gift season comes the existential quandary: What to give the culture lovers on your list? This season the writers for The Arts Fuse waylay the crisis by recommending items that will delight the heart and stimulate the mind. Please feel free to add your own suggestions in the comments section. Keep in mind that…
The month’s attractions include movies from directors Darren Aronofsky and Frank Capra—a yin/yang combo if there ever was one, and Marwencol, an intriguing documentary about a man who creates a fantasy world in his backyard. By Justin Marble.
But The Image in Question begs a crucial question: Isn’t modern media supposed to be flashy, colorful, and loud beyond all sane toleration? Aren’t shrill, unceasing proclamations a part of what drives some individuals away from television and video-games to art galleries, the concert-hall, and the cinema? THE IMAGE IN QUESTION. WAR — MEDIA —…
A Jewish film festival is at heart a communal event, even longer than Hanukkah. If one needs proof of community, see who the sponsors are. By Joann Green Breuer. My final film of this year’s Boston Jewish Film Festival was The Girl from a Reading Primer, directed by Edyta Wroblewska in Poland. It is short…
And so I go, Jewish and glad to be, theatre director—maybe between gigs, old enough to believe that movies are best on the big screen among other (quiet) viewers and that you don’t have to be Jewish to love good Jewish movies. By Joann Green Breuer The danger of speaking critically of any ethnic art…
Oddly, not everyone is concerned with vampires. A friend tells me he finds them overdone, ornate, weighed down with baroque bells and whistles. His vote goes to zombies. I reply that zombies are one-trick monsters. They don’t even suck, only bite. That, he says, is what he likes about them; they are stripped down, perfect…
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy