Film
More comments on the films in this year’s Boston Jewish Film Festival, including “Dolphin Boy”, an uneven documentary about dolphins and healing, and “Dusk,” one of the finest films in the festival.
More comments on the movies in this year’s Boston Jewish Film Festival, including “Standing Silent,” a powerful documentary on child abuse in the orthodox Jewish community and an effective adaptation of David Grossman’s novel “The Book of Intimate Grammar.”
The second installment in Debra Cash’s coverage of the ICA’s ambitious Dance/Draw series.
More pithy reviews of Boston Jewish Film Festival fare, including some reflections on entries in the Short Films Competition.
Congratulations to the Boston Jewish Film Festival are certainly due to its longevity and general quality.
National Theatre director Bijan Sheibani chose artistry of movement, beautiful as it is, over the battering belittlement of really hard, unappreciated work, the facts of sweat and stupor.
This intriguing documentary, made up of first-hand footage about the Black Power movement, will air on WGBH’s Independent Lens this Thursday @ 10 p.m.
In the coming week there will be screenings of a variety of horror films from over the decades — you choose how you want your spine tingled. And don’t forget to dress up
“The Ides of March” tells the same old political story: we know how tedious the campaign season is, we know that deals are made behind doors and that all that really matter are the numbers.
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