Film
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Clear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
The Lady in the Van is quite enjoyable, but has a significant flaw.
Jean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
The President doesn’t try to drum up easy sympathy for its arrogant anti-hero.
Rickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
Land art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.
The Golden Globes Equation: Glitz + Glamor + Action = Win.
The implausibility of The Revenant is jaw-dropping.
Fuse Remembrance: Bowie on Film — Ageless Enigmas
Bowie the Legendary Rock Star and Bowie the Fashion Chameleon were flashier, bolder, than Bowie the Cinematic Iconoclast.
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