Film
This is a sublime little film — an elegantly cross-stitched portrait of an all-American family fracturing under the weight of broken dreams and false promises.
Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
While nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
There are words of wisdom for artists here: they offer a simultaneously nauseating and heartening view of the trade for those actively practicing.
What is distinctive about Jane Gillooly’s superb documentary is its patient unfolding of the history of discrimination in a specific area.
These are not stodgy actresses, but a diverse of group of women proffering salty temperaments, glowing façades, and the exquisite articulation that reflects decades on the stage.
The Clovehitch Killer is a creepy little movie about a creepy little idea, the parasitic kind that worms through the ear canal and eats away at brain matter.
Ethan Hawke’s goal as an artist is to connect meaningfully with the world — avoiding artifice is essential in terms of his acting, directing, and writing.
Film Commentary: FilmStruck Untimely Struck Down
Why is the curtain suddenly dropping now on FilmStruck, a vast, diverse, and tastefully curated archive of films spanning the past century and the entire globe.
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