Film
It’s Twilight Zone eerie, as we embark on an anthology film of connected horror stories all happening on the Lost Highway.
Read MoreThe lightheartedness of the writing and Moore’s unkempt look are jarring, but the film effectively delivers lessons about progressive policies.
Read MoreThe Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
Read MoreThe Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Read MoreClear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Read MoreThe Lady in the Van is quite enjoyable, but has a significant flaw.
Read MoreJean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
Read MoreThe President doesn’t try to drum up easy sympathy for its arrogant anti-hero.
Read MoreRickman was that rare actor whose low-key intensity was punctuated with just enough hilarity or insanity to make his characters unforgettable.
Read MoreLand art is an outgrowth of the rebellious ’60s; radicalism taking the form of ambitious topographical rearangment.
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