Film
Echo in the Canyon is a sublimely moving documentary celebration of a nonpareil moment when, a half century ago, the Southern California scene boasted giants of music.
It’s worth pointing out that Martin Scorsese’s documentaries, especially his music-based ones, can be as powerful as his fictional work.
The P-Town Fest was the site of several first-rate documentaries.
Director Howard Hawks’ signature statement was the depiction of the American (or mostly American) male group with a task to accomplish.
For all its bite, Fall is oddly endearing, too, leavening its harsh portrait of money-madness with aw-shucks moments of solidarity and kindness.
John DeLorean remains an unwieldy figure whose story is difficult to frame — the new film leaves much unreported and unexplored.
The Dead Don’t Die is a satiric trifle, but a cleverly amusing one.
What happens when a dubious scientific experiment yields unexpected results?
Joanna Hogg refuses by aesthetic principle to put a lot of inflection into her scenes, steering them away from melodrama and even heated drama. As a result, some episodes are half-baked, sketchy, and flat.
This fantasy musical is unexpectedly moving, a driven and musically satisfying experience for serious Elton John fans.
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