Film

Film Interview: “Ira Gitler Lives” — From Bret Primack, Jazz Documentarian Extraordinaire

April 24, 2019
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“The half-hearted support of jazz by American broadcast TV, be it commercial or PBS or cable, has been an insult not only to the artists, but to the public as well.”

Film Review: “High Life” — Messy, Earthy Existentialism, In Outer Space

April 21, 2019
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In space, no one can hear you go extinct.

Film Review: “The Chaperone” — Smothered in the Spiffy

April 16, 2019
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.

Arts Remembrance: Homage to David Kleiler

April 16, 2019
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It’s hard to imagine a Boston, even a New England, film-making and film-going scene without David Kleiler here.

Film Preview: At Somerville Theatre — Fake Bands, Real Good Movies

April 11, 2019
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Most of the films selected will be shown in 35mm, making the visual experience as invigorating to watch as the music will be to listen to.

Film Review: “The Wind” — Horror on the Prairie

April 8, 2019
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The Wind explores the fears that beset even strong, capable women stuck struggling for survival without community or social contact.

Film Review: “The Beach Bum” — Purposefully Boneheaded

April 5, 2019
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If you’re the kind of person who coveted every word and wild-man gesture of inebriated Hunter S. Thompson, The Beach Bum could be your movie.

Film Review: At the Boston Underground Film Festival — “Knife+Heart” and “Mope”

April 2, 2019
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My mind is busy considering the presence of two distinctly engrossing thrillers of sex and violence set within the adult film industry, one a vividly romantic neo-giallo fairy tale, the other a discomfiting, tragicomic spiral into murder and depravity.

Film Review: “Diane” — Heroine of a Different Stripe

April 1, 2019
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What elevates these ordinary lives is director Kent Jones’s elegiac distance; the narrative has the feel of a memory piece.

Film Review: “Hail Satan?” — Fighting Evil

March 30, 2019
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These satanists are far less concerned with organizing decadent ceremonies (though there is a fair bit of that, and it’s thrilling to behold) than they are with exposing corruption and hypocrisy.

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